I’m taking a little break time from my thesis work to talk you about something dealing with congeniality. I’m not able to name it differently. It’s a pure state of mind, a mind relationship between me and one perfect and uncomparable artist: i’m talking about my favourite music artist Quentin Leo Cook, Fatboy Slim for the masses.
I spent so many words and so many posts in my Italian blog to praise that man for his previous works; now it’s the time to spend a lot of praises for his new project. You have to know that he carries out a reunion of several artists from different music styles and builds up a brand new diamond: the Brighton Port Authority, BPA for whose that haven’t a lot of time.
I would try to explain you how mystical it can be, but it’s hard to find the right words to make you understand. Just before I knew that Fatboy Slim was the mind behind BPA, I felt one more time the same feelings and the same emotions listening to the first BPA’s single (Toe Jam) that I felt when Rockafeller Skank breaks out my headphones in the 1998.
When I was younger, I listen to his music even if I didn’t knew he was behind that twenty nicknames. So, it’s a kind of magic. Something unexplainable. Something supernatural.
There’s no work made up from that man that I don’t appreciate. Even Seattle (the song of the video above), made up of electronic flavours and the wonderful voice of Emmy The Great, takes my heart and makes it spin as it does at the Right Here, Right Now times.
If there’s some theory about parallel universes or about telepathy that is finding some experimental demonstration, well, it’s time to stop, here’s the proof.
So, it’s true: that guy kicks ass [cit.].